Connect with us


A driver allegedly hit a police officer in Kansas City, Kansas while fleeing a riot.



A police officer was injured after he was allegedly hit by a driver fleeing a riot early Tuesday morning in Kansas City, Kansas, a police spokeswoman said.

According to police spokeswoman Nancy Chartrand, the officer’s injuries, who were taken to the hospital, are not life-threatening. Kansas City, Kansas State Police Department.

The officer was injured while responding to a request Riots in the 600 block of Stewart Avenue early Tuesday morning. Arriving law enforcement officers found several people involved in the case.

According to her, when the officers tried to get a statement, one person fled in a car, allegedly hitting one of the police officers who was walking.

According to Chartrand, Kansas City police soon located the vehicle and arrested the driver.

The Kansas City, Kansas Police Department was investigating the incident. Anyone with information is asked to call TIPS Hotline: 816-474-TIPS (8477).


South Carolina Police Shot Survivor: Deputies Fired ‘Immediately’



The deputies fired 50 point-blank shots, and when it was all over, the deafening roar was replaced by Beeson’s shrill scream, as seen in the video.

“In utter shock, Beeson’s plaintiff dove back screaming in terror as the deputies’ bullets hit the car, narrowly missing her,” the lawsuit says.

Now, two years after a confrontation on May 7, 2021 with officials from the York County Sheriff’s Office, the mother and son are suing York County and the department for unspecified damages.

“There was a bullet that hit him in the middle of the back of the head,” Mullinax’s lawyer Justin Bamberg said Tuesday at a press conference attended by Beeson. “Never seen anyone get shot in the back of the head if he poses a threat to law enforcement or anyone else.”

Beeson said that she had always supported law enforcement, but the fact that her son was shot shook her faith in the police.

“Just because they’re law enforcement, they didn’t give them the right to do what they did,” Beeson said. “And, you know, I want to be able to have faith in law enforcement and regain my faith that they won’t hurt you.”

NBC News has reached out to York County authorities for comment. So far they have not responded.

Mullinax, 29, lives in Rock Hill, South Carolina, records show. The same records also indicate that he was arrested for breaking and entering and burglary, as well as petty domestic violence. His mother is 48 and also lives in Rock Hill.

Trevor Mullinax in the hospital.Contributed by Tammy Beeson

In court papers filed May 5 in a local civil claims court, Mullinax does not deny that he was unwell before the deputies arrived and the bullets began to fly. He says he was sitting in his pickup truck parked on his family’s property and his mother tried to console him.

“Trevor was just in a very dark place” Bamberg said, who is also a member of the Democratic House of Representatives. “And he contemplated suicide.”

According to Bamberg, a few days before he was shot, Mullinax had “problems with this girl” and kicked the door of her house.

“This led to him being charged with burglary, he didn’t steal anything,” Bamberg said. “It’s not that this charge was actually dropped because it was nonsense.

When the deputies arrived According to the complaint, Mullinax had a shotgun in the truck, but “in no way did he point the weapon at himself” or anyone else.

Meanwhile, a friend or family member called the sheriff’s department asking for a “health check” on Mullinax, the complaint said.

The dispatchers were given the mobile phone numbers of Mullinax and his mother.

Instead of calling numbers, a group of helpers went to the property, and when they got there, Mullinax’s grandfather directed them to the back of the house, where his grandson parked and talked to his mother, the documents say.

Mullinax’s grandfather is talking to a group of deputies.Received by NBC News

“Before arriving at the property where Plaintiff Mullinax was still sitting in his pickup truck, the deputies drew their firearms and were ready to shoot Plaintiff Mullinax and use lethal force before they made verbal contact with him,” court documents say. . .

When they got there, the video shows that they started firing almost immediately.

Mullinax raised his hands and carried out the orders of the deputies, his lawyers insisted.

“At no time before, during, or after the deputies started shooting, did Plaintiff Mullinax raise, aim, or otherwise move the weapon in a manner that would allow the deputies to use deadly force,” the complaint states.

Despite this, the documents state that “Deputies arrested and charged Plaintiff Mullinax with pointing and presenting a firearm to police officers, which did not happen and is not true.”

The charges, according to the complaint, were brought to “cover up” the “absolutely excessive use of lethal force displayed by the deputies.”

According to his lawyers, Mullinax was hit nine times, including once in the back of the head.

Beeson, despite being right next to the pickup truck, was not hit by the gunshots.

Tammy Beeson is the victim.
Victim’s mother, Tammy Beeson.Received by NBC News

There is no evidence that Mullinax or his mother “committed a crime or attempted to interfere with the arrival of a police officer, intervene or resist arrest,” the complaint says. “On the contrary, all available evidence indicated that the plaintiff attempted to comply within an extremely short period of time immediately after the arrival of the officers.”

Continue Reading


Escape from Harvey Weinstein was “a game of cat and mouse,” according to Katherine Kendall.



KATHERINE KENDALL, actress/photographer:

Well, you know, I was a young actress and I had a formal meeting at the Miramax office earlier that day.

And then, at the end of the meeting, which I thought went really well, he invited me to come to the screenings. He said, “Welcome to the Miramax family. You know, come to premieres, shows and so on. In fact, there is one this afternoon. Would you like to come?”

And I said, “Of course.”

And in the end I went to watch a movie with him. The result was just a film, not a screening, but the film “Red Rock in the West.” And, you know, it was right when I had such a nagging feeling that something was going wrong.

And then, after the movie, we walked a few blocks. And he said that he needed to go up to his apartment to get some things and could I just go with him real quick? And I kind of said no, and we talked it back and forth for a minute. There were always some negotiations with him, I tried to defend my position, and then make sure that everything was in order.

I went to his apartment. Once there, we had a long talk about art and cinema. And it seemed to me that he treated me like an intellect.

And I felt that the meeting was going very well, and sort of going on. I didn’t feel safe when I was there. And at some point he got up to go to the bathroom. And he came back in a bathrobe and asked me to give him a massage.

And I was extremely uncomfortable. And I thought, oh my God, no, I don’t like it. And we went back and forth about it.

And then he went to the bathroom again, and this time he came back completely naked. And you know, for me, that has completely changed as well. It just took him to the next location. It was completely disorienting. And I was scared, you know? I was very scared.

And then it became a bit of a cat and mouse game, like how do I get out of there?

And I – it’s hard to understand what someone is trying to do to you when they’re completely naked and they…

Continue Reading


Why Viola Davis’ Best Supporting Actress Speech in ‘Fences’ Was So Powerful



Viola Davis’s acceptance speech for Best Supporting Actress began with a thank you from the Academy and this observation: “You know, there’s one place where all the people with the most potential gather.”

Break. Some viewers may have felt a bout of nausea. What the fences Is the actress going to perform a sequel to Meryl Streep’s performance at the Golden Globes? The next line will be “this room” to stand up for the president-condemned entertainment industry, to preach truth and inclusion, to spark a new skirmish about whether Hollywood is too selfish?

No. The next line: “One place, and this is a cemetery.”

wow Davis’ speech quickly went viral and received wide acclaim for many reasons, the main one being just good writing. She started with a question and gave an answer that few would have guessed. She used the power of surprise, which was demonstrated in abundance elsewhere at the Oscars.

The speech also made it clear why Davis deserves an Oscar. She seemed to be heaving with excitement, almost out of breath, and yet her words were clear and her sentences deft. She gestured with the precision of her How to Get Away with Murder Annalize Keating’s character in a lecture on law, but she showed the coarseness of the feelings that Mrs. Miller experienced in double. But it wasn’t a game. And if it was, it was so good that it did not seem so. Which, as Leonardo DiCaprio said from a stage elsewhere in the night, is the definition of a great game.

The most remarkable thing is the content of the speech. As a rule, memorable confessions at the Oscars contain explicit political points, contain gaffes, or mark important milestones. But Davis attracted attention with a simple discussion of art, as well as specific, sincere greetings to colleagues and loved ones.

“People ask me all the time, ‘What stories do you want to tell, Viola?'” she said. “And I say: exhume these bodies, exhume these stories. Stories of people who dreamed big and never realized their dreams, people who fell in love and failed. I became an artist – and thank God I did – because we are the only profession that celebrates what it means to live.

The resonance with Davis’s work was clear: fences based on a play by August Wilson about a 1950s working-class black family whose members are not known but who simply struggle and argue against the backdrop of society and history. Wilson “exhumed and uplifted the common people,” Davis said; his story was “about people and words and life and forgiveness and grace”.

But it was impossible to miss the resonance with other themes of the night and the era. The Best Picture nomination was full of stories about the culturally invisible and disillusioned: Post-Crisis Texans who were denied opportunities in Hell or high waterlow-level NASA mathematicians, largely forgotten by history in Hidden Figuresorphans and disadvantaged families in India in a lion. In particular, the winner in the nomination “Best Film” Moonlight unfolded the story of a poor black gay man who simply survives, an ordinary life of those that are depicted so rarely that they seem unusual.

So there is politics here, albeit subtle. In the context of conversations about diversity and inclusion at the Oscars and in America in general, Davis’s praise of stories about ordinary people, unfulfilled dreams, necessarily has a political meaning: the depiction of a previously unrepresented struggle means that life is not white, natural, provided. and/or male matter.

The moment was lightly reinforced when she thanked her sisters, remembering, “We were rich white women in the tea party games.“. They played white and rich, perhaps because of what society told them to fantasize about. Davis demonstrated the power of suggesting alternatives.

Continue Reading


Copyright © 2023 Millennial One Media.